Why Creativity is Messy (And How You Can Master it!)

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We imagine a creative person as a messy genius, with paint splashed everywhere, dishevelled hair and wild emotions. But in reality, creative people are like two sides of a coin: willing to experience temporarily chaos, but only for a long term vision;ย  messy, but also very organised. After all, a painter needs to ensure their brushes are readily available when they need them.

The misconception comes from the initial spark of creativity, which often is messy, unpredictable and chaotic. Musicians, painters and writers learn to navigate their way through the first foggy stage by using their taste, instincts and experience until they have something that resembles their initial idea. The initial stage is like being a gardener – planting the seeds, waiting for them to grow and then nurturing them; falling in love with process. The second stage is more like being an architect, using logic, structure and order, and falling in love with the outcome.


I have a friend who is an astrophysicist and I often wish I could do the things he can do. Recently I was talking to him about my writing and he said, “I have no idea how you do that”. And that was when I realised that being creative is not something everyone feels comfortable with. Some people are more comfortable with numbers and a definite, concrete outcome. The messy initial stages of creativity are unbearable for some people, as they haven’t developed their internal compass to navigate through it. If you sit down to write a song, there are no guarantees or tangible truths to guide you there.

However intangible, creativity is also something that can be practised. There is no need to wait for “inspiration”, you only need to sit down and start. See what comes out. It may be mediocre, but that’s okay – just learn from it and know that the next thing you create will be a little bit better. You need to write 100 bad songs before you write your first good song. Before writing this post, I felt stuck and didn’t know what to write, so-called “writer’s block”. After much procrastination, I realised I just needed to write down the first few words and the rest would eventually come.

Creativity takes time, reflection and patience, but it is easy to lose these virtues with so many distractions readily available to absorb our senses. So whatever you want to create, just make a start right now, even if it is just the first twenty words of your novel, the first three chords of your song, or the initial pencil sketch for your oil painting. Make a start. And then do the same tomorrow.


My latest book “Guitar Gymnasium” is available on Amazon:

Should I Buy a New Guitar or Play The One Iโ€™ve Already Got?

I have a dilemma: I am really, really tempted to buy a new guitar. Admittedly it is not a life-shattering problem. I have managed to save some money over the last few months by making packed-lunches for work and not spending money on coffee.

But I also see my dilemma as a deeper issue: can I justify buying another guitar when I really donโ€™t play my current guitar as much as I should?

Part of me knows that I am being pulled in by the marketing that a new guitar will make me a better, more inspired guitarist; the other part of me realises the harsh truth that buying a new guitar will not create more time to practice, and that my improvement as a musician is purely reliant on me focusing on developing my skills and putting in the hours of practice.

I am trying to reconcile what will make me happy and what will give me meaning, and these are very different things. Buying a new guitar will make me happy โ€“ even though it may be transitory – and there is also the anticipation of ordering a guitar, waiting for it to be delivered and then finally unpacking the box and looking at my shiny new guitar with all the case-candy (even just writing these words makes me want to reach for my credit card!).

But the rational part of me thinks that what I really need to do is play more and practice more: finish those songs Iโ€™ve half-written; go through some jazz chord books and expand my harmonic knowledge; re-learn some of the songs I used to be able to play flawlessly, but which are now a little rusty; go through the tutorials from my old guitar magazines; jam along with a backing track. Perhaps if I did this consistently and aggressively, then I could emerge like a Ibanez-swirled-butterfly from the lock-down chrysalis.

As Iโ€™m writing these words, a thought just occurred to me: maybe I should do both: rather than choosing one or the other, I could buy a new guitar and change my mind-set to practice more consistently. Maybe a new guitar will be the catalyst to kick-start my motivation?

If you have any suggestions, put them in the comments!


Latest book available on Amazon now!

My latest book ‘Guitar Gymnasium: Habits, Hacks and Tricks to Accelerate Your Playing‘ is available on Amazon now.